The problem of the history of ideas (unrestricted progress) in the Solaris written by Stanislaw Lem and in most known film adaptations directed by Andrei Tarkovsky (1972) and Steven Soderbergh (2002). Utopia as a camouflage of dystopia. Imperfection of human nature and metaphysical optimism. Utopian thinking in trans- and post-humanism. Possibility (?) of total communication (Lem's novel) and the image of impenetrable mystery (Tarkovsky's movie). Inevitability of defeat (Lem) and the image of salvation (Soderbergh)
CAPESEsta pesquisa parte das definições acerca do gênero Ficção Científica, em busca de um aprofunda...
Redshift uncertainty. Political and non-political roots of Utopia in science fiction works of Stanis...
Utopia is an omnipresent notion in history and human psychology as it inspires, whatever its form, h...
Tarkovsky recognizes these differences, saying that there is a contradiction with Lem's initial idea...
Tarkovsky recognizes these differences, saying that there is a contradiction with Lem's initial idea...
Tarkovsky recognizes these differences, saying that there is a contradiction with Lem's initial idea...
Diploma thesis deals with three forms of Solaris. Specifically with novel by Stanislaw Lem, a film a...
The article continues researching the apocalypse film genre. The first results of such research were...
Straipsnyje tęsiami apokalipsės kino tyrinėjimai, pirmą kartą pristatyti praėjusiame „Problemų“ tome...
In Solaris, within the limits of heterotopic experience, several theoretical and ontological questio...
In Solaris, within the limits of heterotopic experience, several theoretical and ontological questio...
In Solaris, within the limits of heterotopic experience, several theoretical and ontological questio...
In Solaris, within the limits of heterotopic experience, several theoretical and ontological questio...
Despite being one of Andrei Tarkovsky's most successful films, Solaris (1972) was the one he most di...
Despite being one of Andrei Tarkovsky's most successful films, Solaris (1972) was the one he most di...
CAPESEsta pesquisa parte das definições acerca do gênero Ficção Científica, em busca de um aprofunda...
Redshift uncertainty. Political and non-political roots of Utopia in science fiction works of Stanis...
Utopia is an omnipresent notion in history and human psychology as it inspires, whatever its form, h...
Tarkovsky recognizes these differences, saying that there is a contradiction with Lem's initial idea...
Tarkovsky recognizes these differences, saying that there is a contradiction with Lem's initial idea...
Tarkovsky recognizes these differences, saying that there is a contradiction with Lem's initial idea...
Diploma thesis deals with three forms of Solaris. Specifically with novel by Stanislaw Lem, a film a...
The article continues researching the apocalypse film genre. The first results of such research were...
Straipsnyje tęsiami apokalipsės kino tyrinėjimai, pirmą kartą pristatyti praėjusiame „Problemų“ tome...
In Solaris, within the limits of heterotopic experience, several theoretical and ontological questio...
In Solaris, within the limits of heterotopic experience, several theoretical and ontological questio...
In Solaris, within the limits of heterotopic experience, several theoretical and ontological questio...
In Solaris, within the limits of heterotopic experience, several theoretical and ontological questio...
Despite being one of Andrei Tarkovsky's most successful films, Solaris (1972) was the one he most di...
Despite being one of Andrei Tarkovsky's most successful films, Solaris (1972) was the one he most di...
CAPESEsta pesquisa parte das definições acerca do gênero Ficção Científica, em busca de um aprofunda...
Redshift uncertainty. Political and non-political roots of Utopia in science fiction works of Stanis...
Utopia is an omnipresent notion in history and human psychology as it inspires, whatever its form, h...